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Song in  MP3

Pleon Exia

Michael Eldred

artefact text and translation
Cologne,
Germany

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Last modified 27-Jul-2020
Ver. 1.1 with saxophone 26-Jul-2020
First put on site 15-Jun-2020
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    Philorock song featuring Jeff Todd on saxophone 

    0. Lyrics

     1. MP3 audio file

     

    0. Lyrics to song

    Chet Atkins Gretsch with Vox delay.
    Chet Atkins Gretsch with Slash bass fuzz.
    Ibanez 1982 MC150FR with DiMarzio pick-ups + Vox wah-wah + Okko Diablo overdrive.
    1937 Conn 10M with Macsax FJ IV mouthpiece
    Meinl cabasa, Meinl shaker, LP shaker/guiro, JTC looper+drums.  

    1): 

    I want more,
    ever more. 

    You want more,
    ever more.  

    They want more,
    and more and more.  


    It's all up for grabs,
    it's mighty sad.

    No room for fair play,
    when making hay.

    Take what you can get,
    forget the rest, 

    Ref. 1): 
    The presence of the god,
    perfumes the air.  

    The priests give us the nod, 
    and we bow down,
    to Pleon Exia.  

    Grovelling on our knees,
    to Pleon Exia.  

    2): 
    Glittering gold,
    has taken hold,  

    Twisted our soul,
    and left its mould. 

    Plutocracy putrifies,
    any democracy.  


    How to break the spell,
    no one can tell.  

    There seems to be,
    no remedy.  

    To dissolve the fateful,
    ambiguity.  

    Ref. 2): 
    The sickly fragrance of the god,
    fills the air. 

    The priests give us a prod,  
    but we stand up,
    to Pleon Exia,  

    finally up from our knees,
    to Pleon Exia.  


    No more supplicating,
    to Pleon Exia, 

    No more grovelling,
    to Pleon Exia. 

    &c.  

    1. MP3 audio file 

    Pleon Exia  MP3 audio file
       
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      Copyright (c) 2020 by Michael Eldred, all rights reserved. This text may be used and shared in accordance with the fair-use provisions of U.S. and international copyright law, and it may be archived and redistributed in electronic form, provided that the author is notified and no fee is charged for access. Archiving, redistribution, or republication of this text on other terms, in any medium, requires the consent of the author.

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