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Abstract
With the aid of Heidegger's late lecture, 'Der Weg zur Sprache', a parallel
way to music is sought that breaks with metaphysical ways of thinking on
music. The way is parallel ultimately because of the twofold way in which
the world opens up for human being, namely, in understanding and attunement.
Human beings can only make music through being attuned to and listening
to the quivering that grants attunements. That is, it is the originary
quivering that enables human beings to be musical, thus being used by propriation
(Ereignis) to allow music itself to make way to music. As a foil to this
post-metaphysical way to music, Adorno's theologically transcendent, subjectivist
music aesthetics is discussed.(1)
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