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Abstract
With the aid of Heidegger's late lecture, 'Der Weg zur Sprache', a parallel
way to sound art is sought that breaks with metaphysical ways of thinking
on both conventionally conceived music and today's sound art. The way is
parallel ultimately because of the twofold way in which the world opens
up for human being, namely, in understanding and attunement. Human beings
can only engage in sound art through being attentively attuned to the quivering
that grants and unleashes attunements. That is, it is the originary quivering
that enables human beings' openness to sound art as sound art. Thus human being
is used by propriation (Ereignis) to allow sound art itself to make way to
sound art. As a foil to this post-metaphysical thinking on the way to music,
some critical remarks are made on a recent philosophical article by Meric
& Solomos (2009) discussing the nature of Agostino Di Scipio's "audible
ecosystems" as "emergent" sound art.(1)
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